ORBIT

Drag to set the distance — with RATE on Fixed, the angle too. The whole field on one screen.

Bends the orbit eccentric: the source flies close then far, pitch rising and falling. A real fly-by.

Free, tempo-synced (1/4–1 bar), or Fixed placement. The orbit follows your track.

Erratic, alien motion — darting speed and azimuth wobble.

Ear-shadow width plus decorrelated early reflections that push the sound outside your head.

Headphones or speakers (crosstalk-cancelled). IN PHASE guarantees mono.

A variable-position HRIR spatializer: two bracketing voices crossfade with fractional-delay ITD, so the source moves without clicks.

Under a meter, Duda–Martens proximity: bass bloom and asymmetric ear-shadow. The source gets intimate.

Pitch emerges from propagation delay — no pitch-shifter: the pitch is the propagation delay moving.

Early reflections (Room) lower interaural coherence, so sound leaves your head.

Crosstalk cancellation for speakers — that stage adds no latency of its own; IN PHASE drops it for mono.

A stereo-linked sample-peak limiter holds the internal peak at −1.4 dBFS; OUTPUT and the filters sit after it (measured true-peak −1.2 dBFS with pink noise, up to −0.05 dBFS with full-scale broadband material).